A house drove by,
Going fast,
Scattering leaves
And school buses.
We’re hiking the gorge, this poem written by stone,
down the path thick with leaves, and
stone steps cut into the steepest declines.
At the bottom, ice coats the shale ledge.
We watch our feet instead of the view,
too aware of how easily limbs break,
how quickly a slip could shatter something inside.
Ahead of us, two hikers call down to someone below.
When we reach them on the bridge, we lean over to see—
Three teenagers on the side trail
that leads straight down, behind the waterfall.
The hikers above, middle aged, our age,
are calling warnings about mud and ice
are calling Careful, Careful.
The teenagers wave and laugh
across the steep distance between us.
The art commentary refers to lines–
Labyrinths, patterns and fragments–
Mazes.
Instead I see jumbles of letters dropped
onto a field of blue
spelling a secret poem
full of Rs and Ts and Ls
trundled and blue tar
later and lament
rootless and riddled
* See Paul Klee’s Blue Night at ArtInThePicture: An Introduction to Art History
The lost continent of Atlantis
was discovered today,
shoved under your bed, resting on a pile of dirty socks
and PopTart wrappers, next to your missing retainer.
No one who has ever seen your room
was surprised when I described the green hills,
the ships in the harbor,
the castles and the marble statues rising up.
If you ever find this note—
(unlikely, since I tucked it beneath your pillow–)
you will sigh and roll your eyes
and ask, Can’t you just tell me
to clean my room, like a normal mother?
Picture the moon practicing
while you slept,
showing early attempts to the cat
who remained unimpressed.
Cat, ever practical, said
The moon’s best efforts
at shadow puppets
were the bunny or the bird.
If you’re going to all that trouble
wrangling light and shadow
it might as well be tasty.
Moon smiled, having learned long ago
to ignore cats.
In the night, moon
painted a heart in the middle of the floor,
a trick of the light
you’ve never seen before.
Buy crusty French bread
on your way home from the lawyer.
Play music while you slice the baguette
into fewer slices than years you were married.
Chop up tomatoes, olives, garlic,
oregano, memories and red peppers
in any combination you choose.
The mixture will be perfect, which proves
you can make good decisions.
Pour strong olive oil
over food that
behaves so rationally
you would kiss it
if it wasn’t dinner.
Stir.
Heap spoonfuls onto the bread
like a person who has never been stingy with love.
My neighbor is at it again,
his leaf blower buzzing
as he vacuums nature.
I want to take the leaf blower out of his hands,
tell him with his crew cut
and neatly pressed jeans
To let the leaves be indolent teens who nap all day
and race around on windy nights
wild to escape their fate,
instead of obedient recruits waiting at the curb
huddled with their kind.
I want to remind him that
in the morning we’ll be even again:
Leaves covering both our yards
His will lose their way, run with the wrong crowd,
get dizzy, fall down and sleep wherever they land.
Impossible to steer, but lovely
could describe a child or a ship,
a hot air balloon
or a poem every day.
The Encyclopedia of the Exquisite
is the title of the book
tossed among the tattered romances
on the free table at the library.
The page you opened to read:
“In truth, the hot air balloon
was lovely but impossible to steer.”
which describes more than this unlikely book
finding your harried hands.
Take comfort in messages that
rise and travel and land, eventually.
Put down those tightly-clutched maps.
Instead of plotting course corrections
deep into every night,
notice how the stars glow as you glide by.
Call this life what you’ve suspected for some time:
Impossible to steer, but lovely.
Because when you woke up,
you didn’t know this day
would hold so much more than you could carry
and
because the load
is full of such foolish things:
Groceries and briefcases,
cough drops and tissues,
brown chickens pecking at the side of the road
so silly and industrious that the comparison
falls into your hands
and becomes one more thing to carry.
Words fizzing off the top of your head.
there's a poem in every day
aka: The Happy Bookers
Artist
I came to where you were living, up a stair. There was no one there.--John Ashberry, "The New Higher"
custom poems on vintage typewriters
Poems by Mary Kendall
A Ronka Poetry Practice Since 2014
Living in the moment